It also serves to make footage shot between LOG and HD capture devices look more uniform and appropriately detailed, so viewers aren't jostled by visual differences.Īdobe noted that it respects the fact that working with LUTs and having the knowledge to do so is a source of pride and control for many editors. This quickly fixes up footage from various devices by employing the best coloring and contrast for each sequence. However, now Premiere Pro seeks to do away with this extra LUT editing step by introducing automatic tone mapping. It's for this reason that many editors are extremely familiar with LUTs (lookup tables) as these are used in video color grading to make sequences shot on various devices look to their best advantage. Unifying LOG and HD footage color in a sequenceĪs we all know, each recording device displays different colors, brightness levels, and tones in its footage. Text-based editing is currently still in Beta but is expected to ship by May. It's worth noting that Premiere Pro is currently the only professional video editor with text-based editing built into it at this time. You can search the transcribed text and quickly locate that part of the video in just a few seconds rather than comb through the footage to find it.Īdditionally, It's also easy to move clips around in the timeline directly from within the text editor while using the same shortcuts rather than having to leave and make these changes elsewhere. For instance, say you wanted to get a soundbite of a specific sentence that you remember hearing while recording. However, the software gets even more advantageous with the brand-new text-based editing workspace, which makes it easier to find specific parts of recordings and make changes to them. Premiere Pro is already worth the price of the subscription as it automatically transcribes imported videos using Adobe Sensei, which is impressive in its own right.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |